Tag Archives: Halloween

New Titles, New Observations and One or Two Frustrations

First of all, apologies for the delay between posts.  Real life kicked several of us in the teeth this past week and we’re just now digging out.  However, beginning this week, there will be at least four posts every week — God willing and the creek don’t rise.

Since my last post, we’ve published two more short stories and the Halloween collection.  The first short story is Hell of a Job by Kate Paulk.  It should appear on Amazon, B&N and other “store” sites in the next few days.  Here’s a short excerpt:

Elizabeth Antonia Harrisfield snuggled into the cushions on the obsidian throne and sighed. Being a Dark Lord, Supreme Ruler of the Southwestern Corner of the Mappe and loyal minion of the Dread Lord of Hell Himself wasn’t all it was cracked up to be.

There was the throne, for a start. Carved from a single block of flawless obsidian, massive and foreboding, emphasising the Dark Lord’s power to all who saw it, it was also hellishly uncomfortable and froze the Dark Lord’s backside. Which helped to explain the previous incumbent’s fondness for incinerating his underlings.

That latter was also partially explained by the Dread Lord’s habit of watching the Dark Lords and occasionally popping in to offer advice. Her predecessor’s predecessor had resigned after one such visit. It wasn’t that unlike board meetings back home, except that forced resignations usually didn’t involve the luckless victim devolving into a screaming lump. Elizabeth hadn’t been graced with any such visits yet, but once she’d learned they happened she’d set about finding out what they involved.

It seemed that being a Dark Lord and Loyal Minion was a high risk, high turnover position. . . .

In the next short story, Zebbie by Sarah A. Hoyt, a young cat’s antics leads his family into a dangerous world where reality and fable merge.  Here’s an excerpt:

. . .Zebbie froze by my side, his paw raised like a pointer dog in an English hunting print. I looked down, surprised at this unnatural pose, then froze in my turn. My heart hammered somewhere between my mouth and my ears. Above and in front of Zebbie’s paw, floated something that looked like a giant, shimmering soap bubble. Only it wasn’t a bubble, just a shimmering of the air and a faint suggestion of rainbow color. Inside this, suspended, flew… I can only describe it as a human, if a human were about a palm long, with a golden exoskeleton and dragon-fly wings.

I don’t remember screaming. I didn’t even throw the flowers over my head, nor let go of the sharp knife. Funny how, when the impossible happens, one acts in a perfectly reasonable way. Instead, I turned my back. “Come on, Zebbie,” I said, and started walking towards the back door. Then looked back to see if he followed.

Zebbie darted me a reluctant look, then made a half-movement, as though to pounce on the thing.

“No,” I told him. “Don’t you touch that.” Just as rational as you please, as though restraining Zebbie from playing with a squirrel or a mouse.

I made it all the way to the phone, dialed Glen’s office phone and found myself telling him, “I just saw a fairy in the garden.” . . . .

Both of these stories are available for individual purchase or as part of the collection of stories we did for Halloween.  The collection, Night Whispers, is available here.  As with the stories, it will also be available through Amazon and other outlets within the next few days.   The collection includes Jack by Dave Freer, Till Your Proud Heart Break by Sarah A. Hoyt, Gooble, Gobble, One of Us by Charles Edgar Quinn, Predator or Prey by Ellie Ferguson, Bite One, Get One Free by Robert A. Hoyt as well as Hell of a Job by Kate Paulk and Zebbie by Sarah A. Hoyt.

As far as observations go, I’m not a big TV watcher.  When I do watch, it’s usually something on the History Channel, BBCA, one of the Discover Channels or an old movie.  But the other day I decided to take a look at AMC’s new series, The Walking Dead.  I’ll admit right now that I’ve never seen the graphic novel it’s based on.  Nor am I that big of a fan of zombie movies.  My opinion has been that zombie movies have gone the way of slasher flicks — after the first couple of really good ones, they’ve become nothing but parodies of themselves.  But The Walking Dead changed my mind — at least so far.

Don’t get me wrong.  There isn’t a lot of new material here.  The sheriff waking up alone in the hospital after being in a coma reminded me a lot of Howard Keel awakening in the hospital and ripping the bandages off his eyes in Day of the Triffids.  (Oh no, now I’m going to have the opening theme of Rocky Horror Picture Show playing in my head — “And I really got hot when I saw Janette Scott fight a Triffid that spits poison and kills”.  Okay, it’s been one of those days.  What else can I say?)

Okay, back to business here.  Before getting hijacked by RHPS, I was going to say that I found myself enjoying the pilot of The Walking Dead more than I’d expected.  I haven’t had a chance to see the second episode yet, but it’s on the dvr waiting for me.  Maybe tonight.

I also want to let you know that we are having a few issues with our store right now.  It’s nothing major — unless you happen to be one of our IT guys and they are pulling their hair out right now.  For some reason, on the pages where our new short stories and novels are listed, some of the images have decided to appear one moment and then disappear the next.  We aren’t having that problem on the individual product pages, nor does it impact your ability to purchase and download the items.  It’s just frustrating and I’ve got a tech or two threatening to commit violence if they can’t find the problem and fix it soon.

Finally, tomorrow we’ll be publishing Darwin Garrison’s first anime/manga review.  His column will appear twice a month.  Beginning December, it will be the first and third Wednesday of the month.  So be sure to stop by and take a look tomorrow.

Until tomorrow, I’m going to go see if I can’t calm the techies and keep them from throwing a computer across the room.  They never clean up the mess when they do ;-p

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I’m Late, I’m Late. . .

Or I’m very early.  Either way, I think I’ll combine today’s and tomorrow post.  To get things started, Robert A. Hoyt’s short story Bite One, Get One Free is today’s — Friday’s — new story. In it, he proves that vampires can come in many shapes and sizes — some more surprising than others.  Worse, they have, in a manner of speaking, invaded our grocery stores, making the weekly shopping trip more of a nightmare than ever before.

Tomorrow — Saturday — our new story will be Till Your Proud Heart Break by Sarah A. Hoyt.  Just go to our home page and it will be available by 8 am cst (unless a disaster strikes and there is suddenly no coffee).  In Proud Heart, Sarah shows that it is never a good thing to try to come between two magicians who are deeply in love.  However, being Halloween, there’s a twist — isn’t there always?  Check it out, especially if you like your stories to be about magic and be a little magical all at the same time.

Sunday we’re celebrating Halloween in style with Born in Blood…The Legend Begins by Kate Paulk.  This is the prequel to her novel Impaler.  In both, Kate takes a unique approach to the Dracula legend.  I can promise you one thing, there will be absolutely NO sparkly vampires.

Monday at 12:01 am est we open for submissions.  We’re looking for well-written, entertaining short stories, novellas and novels in all genres except erotica.  You can check out our guidelines here.

Monday will also see the next installment of the e-arc of Lawyers of Mars by Pam Uphoff.

Finally, I’m excited to announce that Darwin Garrison will be contributing reviews and op-ed pieces on manga and anime.  We’ll let you know next week exactly when to expect his columns as well as our book review columns by John Wagner.

So, until Sunday, I’m off to prepare for all the hobgoblins and witches and monsters that prowl the streets on Halloween.

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Predator or Prey

Today’s short story comes from Ellie Ferguson, author of Wedding Bell Blues.  Every teacher has had that one student she can’t seem to get through to.  Worse, there always seems to be that one set of parents who feel their little darling can do no wrong.  That makes the mandatory parent-teacher conferences an exercise in endurance.  But what happens when the conference becomes an exercise in survival?

That’s the question Ellie raises in Predator or Prey and, in honor of Halloween, it isn’t just a metaphorical question.  Check it out here.

Also, if you enjoyed Dave’s story, Jack, yesterday, it will be available later today for purchase at our site.  As soon as it goes live at Amazon and other sites, we’ll let you know.

But for now, enjoy Predator or Prey.

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Halloween Week Offerings

To celebrate Halloween, we will be posting new short stories from some of our authors.  At least one new story a day will be posted to our homepage.  For the day of the release, the story will be free to read.  After that, it will be offered for sale — our authors still have candy to buy and costumes to make before Saturday.  As always, we’ll offer the stories in a number of different formats for easy download to your computers or e-book readers.  You’ll be able to purchase the stories either through our site or on Amazon, Smashwords, Barnes & Noble and other sites.

Today’s short story is from Dave Freer.  For those of you who aren’t familiar with Dave, he is an Ichthyologist turned author because he’d heard that the spelling requirements were simpler.  He recently moved to Flinders Island, Tasmania, Australia, with his wife and chief proof-reader, Barbara. They are owned by a number of dogs and cats — and their two sons (Paddy and James). Dave does his best to blame his extraordinary spelling on an Old English Sheepdog nose, or the cat on his lap. It has nothing to do with falling out of pear trees onto his head or spending too long underwater freediving for spiny lobster.

We’ll also have stories from Sarah A. Hoyt, Ellie Ferguson, Charles Quinn and Robert A. Hoyt later this week.

On Halloween, we’ll be publishing Kate Paulk’s novella, Born in Blood — The Legend Begins.  It is a prequel of sorts to Impaler, her historical fantasy novel, with more than a trace of alternate history, about Vlad Tepes, better known as Dracula.  NRP will be bringing Impaler out after the first of the year.

Enjoy and check back daily for our new offerings!

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Ligeia by Poe

Our next favorite story for the season is Poe’s Ligeia.  Enjoy!

LIGEIA

And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will.—Joseph Glanvill.

I cannot, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring these points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid cast of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family—I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone—by Ligeia—that I bring before mine eyes in fancy the image of her who is no more. And now, while I write, a recollection flashes upon me that I have never known the paternal name of her who was my friend and my betrothed, and who became the partner of my studies, and finally the wife of my bosom. Was it a playful charge on the part of my Ligeia? or was it a test of my strength of affection, that I should institute no inquiries upon this point? or was it rather a caprice of my own—a wildly romantic offering on the shrine of the most passionate devotion? I but indistinctly recall the fact itself—what wonder that I have utterly forgotten the circumstances which originated or attended it? And, indeed, if ever she, the wan and the misty-winged Ashtophet of idolatrous Egypt, presided, as they tell, over marriages ill-omened, then most surely she presided over mine.

There is one dear topic, however, on which my memory falls me not. It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated. I would in vain attempt to portray the majesty, the quiet ease, of her demeanor, or the incomprehensible lightness and elasticity of her footfall. She came and departed as a shadow. I was never made aware of her entrance into my closed study save by the dear music of her low sweet voice, as she placed her marble hand upon my shoulder. In beauty of face no maiden ever equalled her. It was the radiance of an opium-dream—an airy and spirit-lifting vision more wildly divine than the phantasies which hovered vision about the slumbering souls of the daughters of Delos. Yet her features were not of that regular mould which we have been falsely taught to worship in the classical labors of the heathen. “There is no exquisite beauty,” says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, “without some strangeness in the proportion.” Yet, although I saw that the features of Ligeia were not of a classic regularity—although I perceived that her loveliness was indeed “exquisite,” and felt that there was much of “strangeness” pervading it, yet I have tried in vain to detect the irregularity and to trace home my own perception of “the strange.” I examined the contour of the lofty and pale forehead—it was faultless—how cold indeed that word when applied to a majesty so divine!—the skin rivalling the purest ivory, the commanding extent and repose, the gentle prominence of the regions above the temples; and then the raven-black, the glossy, the luxuriant and naturally-curling tresses, setting forth the full force of the Homeric epithet, “hyacinthine!” I looked at the delicate outlines of the nose—and nowhere but in the graceful medallions of the Hebrews had I beheld a similar perfection. There were the same luxurious smoothness of surface, the same scarcely perceptible tendency to the aquiline, the same harmoniously curved nostrils speaking the free spirit. I regarded the sweet mouth. Here was indeed the triumph of all things heavenly—the magnificent turn of the short upper lip—the soft, voluptuous slumber of the under—the dimples which sported, and the color which spoke—the teeth glancing back, with a brilliancy almost startling, every ray of the holy light which fell upon them in her serene and placid, yet most exultingly radiant of all smiles. I scrutinized the formation of the chin—and here, too, I found the gentleness of breadth, the softness and the majesty, the fullness and the spirituality, of the Greek—the contour which the god Apollo revealed but in a dream, to Cleomenes, the son of the Athenian. And then I peered into the large eyes of Ligeia.

For eyes we have no models in the remotely antique. It might have been, too, that in these eyes of my beloved lay the secret to which Lord Verulam alludes. They were, I must believe, far larger than the ordinary eyes of our own race. They were even fuller than the fullest of the gazelle eyes of the tribe of the valley of Nourjahad. Yet it was only at intervals—in moments of intense excitement—that this peculiarity became more than slightly noticeable in Ligeia. And at such moments was her beauty—in my heated fancy thus it appeared perhaps—the beauty of beings either above or apart from the earth—the beauty of the fabulous Houri of the Turk. The hue of the orbs was the most brilliant of black, and, far over them, hung jetty lashes of great length. The brows, slightly irregular in outline, had the same tint. The “strangeness,” however, which I found in the eyes, was of a nature distinct from the formation, or the color, or the brilliancy of the features, and must, after all, be referred to the expression. Ah, word of no meaning! behind whose vast latitude of mere sound we intrench our ignorance of so much of the spiritual. The expression of the eyes of Ligeia! How for long hours have I pondered upon it! How have I, through the whole of a midsummer night, struggled to fathom it! What was it—that something more profound than the well of Democritus—which lay far within the pupils of my beloved? What was it? I was possessed with a passion to discover. Those eyes! those large, those shining, those divine orbs! they became to me twin stars of Leda, and I to them devoutest of astrologers.

There is no point, among the many incomprehensible anomalies of the science of mind, more thrillingly exciting than the fact—never, I believe, noticed in the schools—that, in our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember. And thus how frequently, in my intense scrutiny of Ligeia’s eyes, have I felt approaching the full knowledge of their expression—felt it approaching—yet not quite be mine—and so at length entirely depart! And (strange, oh strangest mystery of all!) I found, in the commonest objects of the universe, a circle of analogies to that expression. I mean to say that, subsequently to the period when Ligeia’s beauty passed into my spirit, there dwelling as in a shrine, I derived, from many existences in the material world, a sentiment such as I felt always aroused within me by her large and luminous orbs. Yet not the more could I define that sentiment, or analyze, or even steadily view it. I recognized it, let me repeat, sometimes in the survey of a rapidly-growing vine—in the contemplation of a moth, a butterfly, a chrysalis, a stream of running water. I have felt it in the ocean; in the falling of a meteor. I have felt it in the glances of unusually aged people. And there are one or two stars in heaven—(one especially, a star of the sixth magnitude, double and changeable, to be found near the large star in Lyra) in a telescopic scrutiny of which I have been made aware of the feeling. I have been filled with it by certain sounds from stringed instruments, and not unfrequently by passages from books. Among innumerable other instances, I well remember something in a volume of Joseph Glanvill, which (perhaps merely from its quaintness—who shall say?) never failed to inspire me with the sentiment;—”And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.”

Length of years, and subsequent reflection, have enabled me to trace, indeed, some remote connection between this passage in the English moralist and a portion of the character of Ligeia. An intensity in thought, action, or speech, was possibly, in her, a result, or at least an index, of that gigantic volition which, during our long intercourse, failed to give other and more immediate evidence of its existence. Of all the women whom I have ever known, she, the outwardly calm, the ever-placid Ligeia, was the most violently a prey to the tumultuous vultures of stern passion. And of such passion I could form no estimate, save by the miraculous expansion of those eyes which at once so delighted and appalled me—by the almost magical melody, modulation, distinctness and placidity of her very low voice—and by the fierce energy (rendered doubly effective by contrast with her manner of utterance) of the wild words which she habitually uttered.

I have spoken of the learning of Ligeia: it was immense—such as I have never known in woman. In the classical tongues was she deeply proficient, and as far as my own acquaintance extended in regard to the modern dialects of Europe, I have never known her at fault. Indeed upon any theme of the most admired, because simply the most abstruse of the boasted erudition of the academy, have I ever found Ligeia at fault? How singularly—how thrillingly, this one point in the nature of my wife has forced itself, at this late period only, upon my attention! I said her knowledge was such as I have never known in woman—but where breathes the man who has traversed, and successfully, all the wide areas of moral, physical, and mathematical science? I saw not then what I now clearly perceive, that the acquisitions of Ligeia were gigantic, were astounding; yet I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance through the chaotic world of metaphysical investigation at which I was most busily occupied during the earlier years of our marriage. With how vast a triumph—with how vivid a delight—with how much of all that is ethereal in hope—did I feel, as she bent over me in studies but little sought—but less known—that delicious vista by slow degrees expanding before me, down whose long, gorgeous, and all untrodden path, I might at length pass onward to the goal of a wisdom too divinely precious not to be forbidden!

How poignant, then, must have been the grief with which, after some years, I beheld my well-grounded expectations take wings to themselves and fly away! Without Ligeia I was but as a child groping benighted. Her presence, her readings alone, rendered vividly luminous the many mysteries of the transcendentalism in which we were immersed. Wanting the radiant lustre of her eyes, letters, lambent and golden, grew duller than Saturnian lead. And now those eyes shone less and less frequently upon the pages over which I pored. Ligeia grew ill. The wild eyes blazed with a too—too glorious effulgence; the pale fingers became of the transparent waxen hue of the grave, and the blue veins upon the lofty forehead swelled and sank impetuously with the tides of the gentle emotion. I saw that she must die—and I struggled desperately in spirit with the grim Azrael. And the struggles of the passionate wife were, to my astonishment, even more energetic than my own. There had been much in her stern nature to impress me with the belief that, to her, death would have come without its terrors;—but not so. Words are impotent to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. I groaned in anguish at the pitiable spectacle. I would have soothed—I would have reasoned; but, in the intensity of her wild desire for life,—for life—but for life—solace and reason were the uttermost folly. Yet not until the last instance, amid the most convulsive writhings of her fierce spirit, was shaken the external placidity of her demeanor. Her voice grew more gentle—grew more low—yet I would not wish to dwell upon the wild meaning of the quietly uttered words. My brain reeled as I hearkened entranced, to a melody more than mortal—to assumptions and aspirations which mortality had never before known.

That she loved me I should not have doubted; and I might have been easily aware that, in a bosom such as hers, love would have reigned no ordinary passion. But in death only, was I fully impressed with the strength of her affection. For long hours, detaining my hand, would she pour out before me the overflowing of a heart whose more than passionate devotion amounted to idolatry. How had I deserved to be so blessed by such confessions?—how had I deserved to be so cursed with the removal of my beloved in the hour of her making them, But upon this subject I cannot bear to dilate. Let me say only, that in Ligeia’s more than womanly abandonment to a love, alas! all unmerited, all unworthily bestowed, I at length recognized the principle of her longing with so wildly earnest a desire for the life which was now fleeing so rapidly away. It is this wild longing—it is this eager vehemence of desire for life—but for life—that I have no power to portray—no utterance capable of expressing.

At high noon of the night in which she departed, beckoning me, peremptorily, to her side, she bade me repeat certain verses composed by herself not many days before. I obeyed her.—They were these:

     Lo! 'tis a gala night
       Within the lonesome latter years!
     An angel throng, bewinged, bedight
       In veils, and drowned in tears,
     Sit in a theatre, to see
       A play of hopes and fears,
     While the orchestra breathes fitfully
       The music of the spheres.

     Mimes, in the form of God on high,
       Mutter and mumble low,
     And hither and thither fly;
       Mere puppets they, who come and go
     At bidding of vast formless things
       That shift the scenery to and fro,
     Flapping from out their Condor wings
       Invisible Wo!

     That motley drama!—oh, be sure
       It shall not be forgot!
     With its Phantom chased forever more,
       By a crowd that seize it not,
     Through a circle that ever returneth in
       To the self-same spot,
     And much of Madness and more of Sin
       And Horror the soul of the plot.

     But see, amid the mimic rout,
       A crawling shape intrude!
     A blood-red thing that writhes from out
       The scenic solitude!
     It writhes!—it writhes!—with mortal pangs
       The mimes become its food,
     And the seraphs sob at vermin fangs
       In human gore imbued.

     Out—out are the lights—out all!
       And over each quivering form,
     The curtain, a funeral pall,
       Comes down with the rush of a storm,
     And the angels, all pallid and wan,
       Uprising, unveiling, affirm
     That the play is the tragedy, "Man,"
       And its hero the Conqueror Worm.

“O God!” half shrieked Ligeia, leaping to her feet and extending her arms aloft with a spasmodic movement, as I made an end of these lines—”O God! O Divine Father!—shall these things be undeviatingly so?—shall this Conqueror be not once conquered? Are we not part and parcel in Thee? Who—who knoweth the mysteries of the will with its vigor? Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.”

And now, as if exhausted with emotion, she suffered her white arms to fall, and returned solemnly to her bed of death. And as she breathed her last sighs, there came mingled with them a low murmur from her lips. I bent to them my ear and distinguished, again, the concluding words of the passage in Glanvill—”Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.”

She died;—and I, crushed into the very dust with sorrow, could no longer endure the lonely desolation of my dwelling in the dim and decaying city by the Rhine. I had no lack of what the world calls wealth. Ligeia had brought me far more, very far more than ordinarily falls to the lot of mortals. After a few months, therefore, of weary and aimless wandering, I purchased, and put in some repair, an abbey, which I shall not name, in one of the wildest and least frequented portions of fair England. The gloomy and dreary grandeur of the building, the almost savage aspect of the domain, the many melancholy and time-honored memories connected with both, had much in unison with the feelings of utter abandonment which had driven me into that remote and unsocial region of the country. Yet although the external abbey, with its verdant decay hanging about it, suffered but little alteration, I gave way, with a child-like perversity, and perchance with a faint hope of alleviating my sorrows, to a display of more than regal magnificence within.—For such follies, even in childhood, I had imbibed a taste and now they came back to me as if in the dotage of grief. Alas, I feel how much even of incipient madness might have been discovered in the gorgeous and fantastic draperies, in the solemn carvings of Egypt, in the wild cornices and furniture, in the Bedlam patterns of the carpets of tufted gold! I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams. But these absurdities must not pause to detail. Let me speak only of that one chamber, ever accursed, whither in a moment of mental alienation, I led from the altar as my bride—as the successor of the unforgotten Ligeia—the fair-haired and blue-eyed Lady Rowena Trevanion, of Tremaine.

There is no individual portion of the architecture and decoration of that bridal chamber which is not now visibly before me. Where were the souls of the haughty family of the bride, when, through thirst of gold, they permitted to pass the threshold of an apartment so bedecked, a maiden and a daughter so beloved? I have said that I minutely remember the details of the chamber—yet I am sadly forgetful on topics of deep moment—and here there was no system, no keeping, in the fantastic display, to take hold upon the memory. The room lay in a high turret of the castellated abbey, was pentagonal in shape, and of capacious size. Occupying the whole southern face of the pentagon was the sole window—an immense sheet of unbroken glass from Venice—a single pane, and tinted of a leaden hue, so that the rays of either the sun or moon, passing through it, fell with a ghastly lustre on the objects within. Over the upper portion of this huge window, extended the trellice-work of an aged vine, which clambered up the massy walls of the turret. The ceiling, of gloomy-looking oak, was excessively lofty, vaulted, and elaborately fretted with the wildest and most grotesque specimens of a semi-Gothic, semi-Druidical device. From out the most central recess of this melancholy vaulting, depended, by a single chain of gold with long links, a huge censer of the same metal, Saracenic in pattern, and with many perforations so contrived that there writhed in and out of them, as if endued with a serpent vitality, a continual succession of parti-colored fires.

Some few ottomans and golden candelabra, of Eastern figure, were in various stations about—and there was the couch, too—bridal couch—of an Indian model, and low, and sculptured of solid ebony, with a pall-like canopy above. In each of the angles of the chamber stood on end a gigantic sarcophagus of black granite, from the tombs of the kings over against Luxor, with their aged lids full of immemorial sculpture. But in the draping of the apartment lay, alas! the chief phantasy of all. The lofty walls, gigantic in height—even unproportionably so—were hung from summit to foot, in vast folds, with a heavy and massive-looking tapestry—tapestry of a material which was found alike as a carpet on the floor, as a covering for the ottomans and the ebony bed, as a canopy for the bed, and as the gorgeous volutes of the curtains which partially shaded the window. The material was the richest cloth of gold. It was spotted all over, at irregular intervals, with arabesque figures, about a foot in diameter, and wrought upon the cloth in patterns of the most jetty black. But these figures partook of the true character of the arabesque only when regarded from a single point of view. By a contrivance now common, and indeed traceable to a very remote period of antiquity, they were made changeable in aspect. To one entering the room, they bore the appearance of simple monstrosities; but upon a farther advance, this appearance gradually departed; and step by step, as the visitor moved his station in the chamber, he saw himself surrounded by an endless succession of the ghastly forms which belong to the superstition of the Norman, or arise in the guilty slumbers of the monk. The phantasmagoric effect was vastly heightened by the artificial introduction of a strong continual current of wind behind the draperies—giving a hideous and uneasy animation to the whole.

In halls such as these—in a bridal chamber such as this—I passed, with the Lady of Tremaine, the unhallowed hours of the first month of our marriage—passed them with but little disquietude. That my wife dreaded the fierce moodiness of my temper—that she shunned me and loved me but little—I could not help perceiving; but it gave me rather pleasure than otherwise. I loathed her with a hatred belonging more to demon than to man. My memory flew back, (oh, with what intensity of regret!) to Ligeia, the beloved, the august, the beautiful, the entombed. I revelled in recollections of her purity, of her wisdom, of her lofty, her ethereal nature, of her passionate, her idolatrous love. Now, then, did my spirit fully and freely burn with more than all the fires of her own. In the excitement of my opium dreams (for I was habitually fettered in the shackles of the drug) I would call aloud upon her name, during the silence of the night, or among the sheltered recesses of the glens by day, as if, through the wild eagerness, the solemn passion, the consuming ardor of my longing for the departed, I could restore her to the pathway she had abandoned—ah, could it be forever?—upon the earth.

About the commencement of the second month of the marriage, the Lady Rowena was attacked with sudden illness, from which her recovery was slow. The fever which consumed her rendered her nights uneasy; and in her perturbed state of half-slumber, she spoke of sounds, and of motions, in and about the chamber of the turret, which I concluded had no origin save in the distemper of her fancy, or perhaps in the phantasmagoric influences of the chamber itself. She became at length convalescent—finally well. Yet but a brief period elapsed, ere a second more violent disorder again threw her upon a bed of suffering; and from this attack her frame, at all times feeble, never altogether recovered. Her illnesses were, after this epoch, of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians. With the increase of the chronic disease which had thus, apparently, taken too sure hold upon her constitution to be eradicated by human means, I could not fall to observe a similar increase in the nervous irritation of her temperament, and in her excitability by trivial causes of fear. She spoke again, and now more frequently and pertinaciously, of the sounds—of the slight sounds—and of the unusual motions among the tapestries, to which she had formerly alluded.

One night, near the closing in of September, she pressed this distressing subject with more than usual emphasis upon my attention. She had just awakened from an unquiet slumber, and I had been watching, with feelings half of anxiety, half of vague terror, the workings of her emaciated countenance. I sat by the side of her ebony bed, upon one of the ottomans of India. She partly arose, and spoke, in an earnest low whisper, of sounds which she then heard, but which I could not hear—of motions which she then saw, but which I could not perceive. The wind was rushing hurriedly behind the tapestries, and I wished to show her (what, let me confess it, I could not all believe) that those almost inarticulate breathings, and those very gentle variations of the figures upon the wall, were but the natural effects of that customary rushing of the wind. But a deadly pallor, overspreading her face, had proved to me that my exertions to reassure her would be fruitless. She appeared to be fainting, and no attendants were within call. I remembered where was deposited a decanter of light wine which had been ordered by her physicians, and hastened across the chamber to procure it. But, as I stepped beneath the light of the censer, two circumstances of a startling nature attracted my attention. I had felt that some palpable although invisible object had passed lightly by my person; and I saw that there lay upon the golden carpet, in the very middle of the rich lustre thrown from the censer, a shadow—a faint, indefinite shadow of angelic aspect—such as might be fancied for the shadow of a shade. But I was wild with the excitement of an immoderate dose of opium, and heeded these things but little, nor spoke of them to Rowena. Having found the wine, I recrossed the chamber, and poured out a gobletful, which I held to the lips of the fainting lady. She had now partially recovered, however, and took the vessel herself, while I sank upon an ottoman near me, with my eyes fastened upon her person. It was then that I became distinctly aware of a gentle footfall upon the carpet, and near the couch; and in a second thereafter, as Rowena was in the act of raising the wine to her lips, I saw, or may have dreamed that I saw, fall within the goblet, as if from some invisible spring in the atmosphere of the room, three or four large drops of a brilliant and ruby colored fluid. If this I saw—not so Rowena. She swallowed the wine unhesitatingly, and I forbore to speak to her of a circumstance which must, after all, I considered, have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by the opium, and by the hour.

Yet I cannot conceal it from my own perception that, immediately subsequent to the fall of the ruby-drops, a rapid change for the worse took place in the disorder of my wife; so that, on the third subsequent night, the hands of her menials prepared her for the tomb, and on the fourth, I sat alone, with her shrouded body, in that fantastic chamber which had received her as my bride.—Wild visions, opium-engendered, flitted, shadow-like, before me. I gazed with unquiet eye upon the sarcophagi in the angles of the room, upon the varying figures of the drapery, and upon the writhing of the parti-colored fires in the censer overhead. My eyes then fell, as I called to mind the circumstances of a former night, to the spot beneath the glare of the censer where I had seen the faint traces of the shadow. It was there, however, no longer; and breathing with greater freedom, I turned my glances to the pallid and rigid figure upon the bed. Then rushed upon me a thousand memories of Ligeia—and then came back upon my heart, with the turbulent violence of a flood, the whole of that unutterable wo with which I had regarded her thus enshrouded. The night waned; and still, with a bosom full of bitter thoughts of the one only and supremely beloved, I remained gazing upon the body of Rowena.

It might have been midnight, or perhaps earlier, or later, for I had taken no note of time, when a sob, low, gentle, but very distinct, startled me from my revery.—I felt that it came from the bed of ebony—the bed of death. I listened in an agony of superstitious terror—but there was no repetition of the sound. I strained my vision to detect any motion in the corpse—but there was not the slightest perceptible. Yet I could not have been deceived. I had heard the noise, however faint, and my soul was awakened within me. I resolutely and perseveringly kept my attention riveted upon the body. Many minutes elapsed before any circumstance occurred tending to throw light upon the mystery. At length it became evident that a slight, a very feeble, and barely noticeable tinge of color had flushed up within the cheeks, and along the sunken small veins of the eyelids. Through a species of unutterable horror and awe, for which the language of mortality has no sufficiently energetic expression, I felt my heart cease to beat, my limbs grow rigid where I sat. Yet a sense of duty finally operated to restore my self-possession. I could no longer doubt that we had been precipitate in our preparations—that Rowena still lived. It was necessary that some immediate exertion be made; yet turret was altogether apart from the portion of the abbey tenanted by the servants—there were none within call—I had no means of summoning them to my aid without leaving the room for many minutes—and this I could not venture to do. I therefore struggled alone in my endeavors to call back the spirit ill hovering. In a short period it was certain, however, that a relapse had taken place; the color disappeared from both eyelid and cheek, leaving a wanness even more than that of marble; the lips became doubly shrivelled and pinched up in the ghastly expression of death; a repulsive clamminess and coldness overspread rapidly the surface of the body; and all the usual rigorous illness immediately supervened. I fell back with a shudder upon the couch from which I had been so startlingly aroused, and again gave myself up to passionate waking visions of Ligeia.

An hour thus elapsed when (could it be possible?) I was a second time aware of some vague sound issuing from the region of the bed. I listened—in extremity of horror. The sound came again—it was a sigh. Rushing to the corpse, I saw—distinctly saw—a tremor upon the lips. In a minute afterward they relaxed, disclosing a bright line of the pearly teeth. Amazement now struggled in my bosom with the profound awe which had hitherto reigned there alone. I felt that my vision grew dim, that my reason wandered; and it was only by a violent effort that I at length succeeded in nerving myself to the task which duty thus once more had pointed out. There was now a partial glow upon the forehead and upon the cheek and throat; a perceptible warmth pervaded the whole frame; there was even a slight pulsation at the heart. The lady lived; and with redoubled ardor I betook myself to the task of restoration. I chafed and bathed the temples and the hands, and used every exertion which experience, and no little medical reading, could suggest. But in vain. Suddenly, the color fled, the pulsation ceased, the lips resumed the expression of the dead, and, in an instant afterward, the whole body took upon itself the icy chilliness, the livid hue, the intense rigidity, the sunken outline, and all the loathsome peculiarities of that which has been, for many days, a tenant of the tomb.

And again I sunk into visions of Ligeia—and again, (what marvel that I shudder while I write,) again there reached my ears a low sob from the region of the ebony bed. But why shall I minutely detail the unspeakable horrors of that night? Why shall I pause to relate how, time after time, until near the period of the gray dawn, this hideous drama of revivification was repeated; how each terrific relapse was only into a sterner and apparently more irredeemable death; how each agony wore the aspect of a struggle with some invisible foe; and how each struggle was succeeded by I know not what of wild change in the personal appearance of the corpse? Let me hurry to a conclusion.

The greater part of the fearful night had worn away, and she who had been dead, once again stirred—and now more vigorously than hitherto, although arousing from a dissolution more appalling in its utter hopelessness than any. I had long ceased to struggle or to move, and remained sitting rigidly upon the ottoman, a helpless prey to a whirl of violent emotions, of which extreme awe was perhaps the least terrible, the least consuming. The corpse, I repeat, stirred, and now more vigorously than before. The hues of life flushed up with unwonted energy into the countenance—the limbs relaxed—and, save that the eyelids were yet pressed heavily together, and that the bandages and draperies of the grave still imparted their charnel character to the figure, I might have dreamed that Rowena had indeed shaken off, utterly, the fetters of Death. But if this idea was not, even then, altogether adopted, I could at least doubt no longer, when, arising from the bed, tottering, with feeble steps, with closed eyes, and with the manner of one bewildered in a dream, the thing that was enshrouded advanced boldly and palpably into the middle of the apartment.

I trembled not—I stirred not—for a crowd of unutterable fancies connected with the air, the stature, the demeanor of the figure, rushing hurriedly through my brain, had paralyzed—had chilled me into stone. I stirred not—but gazed upon the apparition. There was a mad disorder in my thoughts—a tumult unappeasable. Could it, indeed, be the living Rowena who confronted me? Could it indeed be Rowena at all—the fair-haired, the blue-eyed Lady Rowena Trevanion of Tremaine? Why, why should I doubt it? The bandage lay heavily about the mouth—but then might it not be the mouth of the breathing Lady of Tremaine? And the cheeks-there were the roses as in her noon of life—yes, these might indeed be the fair cheeks of the living Lady of Tremaine. And the chin, with its dimples, as in health, might it not be hers?—but had she then grown taller since her malady? What inexpressible madness seized me with that thought? One bound, and I had reached her feet! Shrinking from my touch, she let fall from her head, unloosened, the ghastly cerements which had confined it, and there streamed forth, into the rushing atmosphere of the chamber, huge masses of long and dishevelled hair; it was blacker than the raven wings of the midnight! And now slowly opened the eyes of the figure which stood before me. “Here then, at least,” I shrieked aloud, “can I never—can I never be mistaken—these are the full, and the black, and the wild eyes—of my lost love—of the lady—of the LADY LIGEIA.”

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Afterward by Edith Wharton

Today’s public domain story to celebrate the Halloween season is Afterward by Edith Wharton.  Enjoy!

I

“Oh, there is one, of course, but you’ll never know it.”

The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.

The words had been spoken by their friend Alida Stair, as they sat at tea on her lawn at Pangbourne, in reference to the very house of which the library in question was the central, the pivotal “feature.” Mary Boyne and her husband, in quest of a country place in one of the southern or southwestern counties, had, on their arrival in England, carried their problem straight to Alida Stair, who had successfully solved it in her own case; but it was not until they had rejected, almost capriciously, several practical and judicious suggestions that she threw it out: “Well, there’s Lyng, in Dorsetshire. It belongs to Hugo’s cousins, and you can get it for a song.”

The reasons she gave for its being obtainable on these terms — its remoteness from a station, its lack of electric light, hot-water pipes, and other vulgar necessities — were exactly those pleading in its favor with two romantic Americans perversely in search of the economic drawbacks which were associated, in their tradition, with unusual architectural felicities.

“I should never believe I was living in an old house unless I was thoroughly uncomfortable,” Ned Boyne, the more extravagant of the two, had jocosely insisted; “the least hint of ‘convenience’ would make me think it had been bought out of an exhibition, with the pieces numbered, and set up again.” And they had proceeded to enumerate, with humorous precision, their various suspicions and exactions, refusing to believe that the house their cousin recommended was really Tudor till they learned it had no heating system, or that the village church was literally in the grounds till she assured them of the deplorable uncertainty of the watersupply.

“It’s too uncomfortable to be true!” Edward Boyne had continued to exult as the avowal of each disadvantage was successively wrung from her; but he had cut short his rhapsody to ask, with a sudden relapse to distrust: “And the ghost? You’ve been concealing from us the fact that there is no ghost!”

Mary, at the moment, had laughed with him, yet almost with her laugh, being possessed of several sets of independent perceptions, had noted a sudden flatness of tone in Alida’s answering hilarity.

“Oh, Dorsetshire’s full of ghosts, you know.”

“Yes, yes; but that won’t do. I don’t want to have to drive ten miles to see somebody else’s ghost. I want one of my own on the premises. Is there a ghost at Lyng?”

His rejoinder had made Alida laugh again, and it was then that she had flung back tantalizingly: “Oh, there is one, of course, but you’ll never know it.”

“Never know it?” Boyne pulled her up. “But what in the world constitutes a ghost except the fact of its being known for one?”

“I can’t say. But that’s the story.”

“That there’s a ghost, but that nobody knows it’s a ghost?”

“Well — not till afterward, at any rate.”

“Till afterward?”

“Not till long, long afterward.”

“But if it’s once been identified as an unearthly visitant, why hasn’t its signalement been handed down in the family? How has it managed to preserve its incognito?”

Alida could only shake her head. “Don’t ask me. But it has.”

“And then suddenly –” Mary spoke up as if from some cavernous depth of divination –“suddenly, long afterward, one says to one’s self, ‘That was it?‘”

She was oddly startled at the sepulchral sound with which her question fell on the banter of the other two, and she saw the shadow of the same surprise flit across Alida’s clear pupils. “I suppose so. One just has to wait.”

“Oh, hang waiting!” Ned broke in. “Life’s too short for a ghost who can only be enjoyed in retrospect. Can’t we do better than that, Mary?”

But it turned out that in the event they were not destined to, for within three months of their conversation with Mrs. Stair they were established at Lyng, and the life they had yearned for to the point of planning it out in all its daily details had actually begun for them.

It was to sit, in the thick December dusk, by just such a widehooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panes the downs were darkening to a deeper solitude: it was for the ultimate indulgence in such sensations that Mary Boyne had endured for nearly fourteen years the soul-deadening ugliness of the Middle West, and that Boyne had ground on doggedly at his engineering till, with a suddenness that still made her blink, the prodigious windfall of the Blue Star Mine had put them at a stroke in possession of life and the leisure to taste it. They had never for a moment meant their new state to be one of idleness; but they meant to give themselves only to harmonious activities. She had her vision of painting and gardening (against a background of gray walls), he dreamed of the production of his long-planned book on the “Economic Basis of Culture”; and with such absorbing work ahead no existence could be too sequestered; they could not get far enough from the world, or plunge deep enough into the past.

Dorsetshire had attracted them from the first by a semblance of remoteness out of all proportion to its geographical position. But to the Boynes it was one of the ever-recurring wonders of the whole incredibly compressed island — a nest of counties, as they put it — that for the production of its effects so little of a given quality went so far: that so few miles made a distance, and so short a distance a difference.

“It’s that,” Ned had once enthusiastically explained, “that gives such depth to their effects, such relief to their least contrasts. They’ve been able to lay the butter so thick on every exquisite mouthful.”

The butter had certainly been laid on thick at Lyng: the old gray house, hidden under a shoulder of the downs, had almost all the finer marks of commerce with a protracted past. The mere fact that it was neither large nor exceptional made it, to the Boynes, abound the more richly in its special sense — the sense of having been for centuries a deep, dim reservoir of life. The life had probably not been of the most vivid order: for long periods, no doubt, it had fallen as noiselessly into the past as the quiet drizzle of autumn fell, hour after hour, into the green fish-pond between the yews; but these back-waters of existence sometimes breed, in their sluggish depths, strange acuities of emotion, and Mary Boyne had felt from the first the occasional brush of an intenser memory.

The feeling had never been stronger than on the December afternoon when, waiting in the library for the belated lamps, she rose from her seat and stood among the shadows of the hearth. Her husband had gone off, after luncheon, for one of his long tramps on the downs. She had noticed of late that he preferred to be unaccompanied on these occasions; and, in the tried security of their personal relations, had been driven to conclude that his book was bothering him, and that he needed the afternoons to turn over in solitude the problems left from the morning’s work. Certainly the book was not going as smoothly as she had imagined it would, and the lines of perplexity between his eyes had never been there in his engineering days. Then he had often looked fagged to the verge of illness, but the native demon of “worry” had never branded his brow. Yet the few pages he had so far read to her — the introduction, and a synopsis of the opening chapter — gave evidences of a firm possession of his subject, and a deepening confidence in his powers.

The fact threw her into deeper perplexity, since, now that he had done with “business” and its disturbing contingencies, the one other possible element of anxiety was eliminated. Unless it were his health, then? But physically he had gained since they had come to Dorsetshire, grown robuster, ruddier, and fresher-eyed. It was only within a week that she had felt in him the undefinable change that made her restless in his absence, and as tongue-tied in his presence as though it were she who had a secret to keep from him!

The thought that there was a secret somewhere between them struck her with a sudden smart rap of wonder, and she looked about her down the dim, long room.

“Can it be the house?” she mused.

The room itself might have been full of secrets. They seemed to be piling themselves up, as evening fell, like the layers and layers of velvet shadow dropping from the low ceiling, the dusky walls of books, the smoke-blurred sculpture of the hooded hearth.

“Why, of course — the house is haunted!” she reflected.

The ghost — Alida’s imperceptible ghost — after figuring largely in the banter of their first month or two at Lyng, had been gradually discarded as too ineffectual for imaginative use. Mary had, indeed, as became the tenant of a haunted house, made the customary inquiries among her few rural neighbors, but, beyond a vague, “They du say so, Ma’am,” the villagers had nothing to impart. The elusive specter had apparently never had sufficient identity for a legend to crystallize about it, and after a time the Boynes had laughingly set the matter down to their profitand-loss account, agreeing that Lyng was one of the few houses good enough in itself to dispense with supernatural enhancements.

“And I suppose, poor, ineffectual demon, that’s why it beats its beautiful wings in vain in the void,” Mary had laughingly concluded.

“Or, rather,” Ned answered, in the same strain, “why, amid so much that’s ghostly, it can never affirm its separate existence as the ghost.” And thereupon their invisible housemate had finally dropped out of their references, which were numerous enough to make them promptly unaware of the loss.

Now, as she stood on the hearth, the subject of their earlier curiosity revived in her with a new sense of its meaning — a sense gradually acquired through close daily contact with the scene of the lurking mystery. It was the house itself, of course, that possessed the ghost-seeing faculty, that communed visually but secretly with its own past; and if one could only get into close enough communion with the house, one might surprise its secret, and acquire the ghost-sight on one’s own account. Perhaps, in his long solitary hours in this very room, where she never trespassed till the afternoon, her husband had acquired it already, and was silently carrying the dread weight of whatever it had revealed to him. Mary was too well-versed in the code of the spectral world not to know that one could not talk about the ghosts one saw: to do so was almost as great a breach of goodbreeding as to name a lady in a club. But this explanation did not really satisfy her. “What, after all, except for the fun of the frisson,” she reflected, “would he really care for any of their old ghosts?” And thence she was thrown back once more on the fundamental dilemma: the fact that one’s greater or less susceptibility to spectral influences had no particular bearing on the case, since, when one did see a ghost at Lyng, one did not know it.

“Not till long afterward,” Alida Stair had said. Well, supposing Ned had seen one when they first came, and had known only within the last week what had happened to him? More and more under the spell of the hour, she threw back her searching thoughts to the early days of their tenancy, but at first only to recall a gay confusion of unpacking, settling, arranging of books, and calling to each other from remote corners of the house as treasure after treasure of their habitation revealed itself to them. It was in this particular connection that she presently recalled a certain soft afternoon of the previous October, when, passing from the first rapturous flurry of exploration to a detailed inspection of the old house, she had pressed (like a novel heroine) a panel that opened at her touch, on a narrow flight of stairs leading to an unsuspected flat ledge of the roof — the roof which, from below, seemed to slope away on all sides too abruptly for any but practised feet to scale.

The view from this hidden coign was enchanting, and she had flown down to snatch Ned from his papers and give him the freedom of her discovery. She remembered still how, standing on the narrow ledge, he had passed his arm about her while their gaze flew to the long, tossed horizon-line of the downs, and then dropped contentedly back to trace the arabesque of yew hedges about the fish-pond, and the shadow of the cedar on the lawn.

“And now the other way,” he had said, gently turning her about within his arm; and closely pressed to him, she had absorbed, like some long, satisfying draft, the picture of the gray-walled court, the squat lions on the gates, and the lime-avenue reaching up to the highroad under the downs.

It was just then, while they gazed and held each other, that she had felt his arm relax, and heard a sharp “Hullo!” that made her turn to glance at him.

Distinctly, yes, she now recalled she had seen, as she glanced, a shadow of anxiety, of perplexity, rather, fall across his face; and, following his eyes, had beheld the figure of a man — a man in loose, grayish clothes, as it appeared to her — who was sauntering down the lime-avenue to the court with the tentative gait of a stranger seeking his way. Her short-sighted eyes had given her but a blurred impression of slightness and grayness, with something foreign, or at least unlocal, in the cut of the figure or its garb; but her husband had apparently seen more — seen enough to make him push past her with a sharp “Wait!” and dash down the twisting stairs without pausing to give her a hand for the descent.

A slight tendency to dizziness obliged her, after a provisional clutch at the chimney against which they had been leaning, to follow him down more cautiously; and when she had reached the attic landing she paused again for a less definite reason, leaning over the oak banister to strain her eyes through the silence of the brown, sun-flecked depths below. She lingered there till, somewhere in those depths, she heard the closing of a door; then, mechanically impelled, she went down the shallow flights of steps till she reached the lower hall.

The front door stood open on the mild sunlight of the court, and hall and court were empty. The library door was open, too, and after listening in vain for any sound of voices within, she quickly crossed the threshold, and found her husband alone, vaguely fingering the papers on his desk.

He looked up, as if surprised at her precipitate entrance, but the shadow of anxiety had passed from his face, leaving it even, as she fancied, a little brighter and clearer than usual.

“What was it? Who was it?” she asked.

“Who?” he repeated, with the surprise still all on his side.

“The man we saw coming toward the house.”

He seemed honestly to reflect. “The man? Why, I thought I saw Peters; I dashed after him to say a word about the stable-drains, but he had disappeared before I could get down.”

“Disappeared? Why, he seemed to be walking so slowly when we saw him.”

Boyne shrugged his shoulders. “So I thought; but he must have got up steam in the interval. What do you say to our trying a scramble up Meldon Steep before sunset?”

That was all. At the time the occurrence had been less than nothing, had, indeed, been immediately obliterated by the magic of their first vision from Meldon Steep, a height which they had dreamed of climbing ever since they had first seen its bare spine heaving itself above the low roof of Lyng. Doubtless it was the mere fact of the other incident’s having occurred on the very day of their ascent to Meldon that had kept it stored away in the unconscious fold of association from which it now emerged; for in itself it had no mark of the portentous. At the moment there could have been nothing more natural than that Ned should dash himself from the roof in the pursuit of dilatory tradesmen. It was the period when they were always on the watch for one or the other of the specialists employed about the place; always lying in wait for them, and dashing out at them with questions, reproaches, or reminders. And certainly in the distance the gray figure had looked like Peters.

Yet now, as she reviewed the rapid scene, she felt her husband’s explanation of it to have been invalidated by the look of anxiety on his face. Why had the familiar appearance of Peters made him anxious? Why, above all, if it was of such prime necessity to confer with that authority on the subject of the stable-drains, had the failure to find him produced such a look of relief? Mary could not say that any one of these considerations had occurred to her at the time, yet, from the promptness with which they now marshaled themselves at her summons, she had a sudden sense that they must all along have been there, waiting their hour.

II

Weary with her thoughts, she moved toward the window. The library was now completely dark, and she was surprised to see how much faint light the outer world still held.

As she peered out into it across the court, a figure shaped itself in the tapering perspective of bare lines: it looked a mere blot of deeper gray in the grayness, and for an instant, as it moved toward her, her heart thumped to the thought, “It’s the ghost!”

She had time, in that long instant, to feel suddenly that the man of whom, two months earlier, she had a brief distant vision from the roof was now, at his predestined hour, about to reveal himself as not having been Peters; and her spirit sank under the impending fear of the disclosure. But almost with the next tick of the clock the ambiguous figure, gaining substance and character, showed itself even to her weak sight as her husband’s; and she turned away to meet him, as he entered, with the confession of her folly.

“It’s really too absurd,” she laughed out from the threshold, “but I never can remember!”

“Remember what?” Boyne questioned as they drew together.

“That when one sees the Lyng ghost one never knows it.”

Her hand was on his sleeve, and he kept it there, but with no response in his gesture or in the lines of his fagged, preoccupied face.

“Did you think you’d seen it?” he asked, after an appreciable interval.

“Why, I actually took you for it, my dear, in my mad determination to spot it!”

“Me — just now?” His arm dropped away, and he turned from her with a faint echo of her laugh. “Really, dearest, you’d better give it up, if that’s the best you can do.”

“Yes, I give it up — I give it up. Have you?” she asked, turning round on him abruptly.

The parlor-maid had entered with letters and a lamp, and the light struck up into Boyne’s face as he bent above the tray she presented.

“Have you?” Mary perversely insisted, when the servant had disappeared on her errand of illumination.

“Have I what?” he rejoined absently, the light bringing out the sharp stamp of worry between his brows as he turned over the letters.

“Given up trying to see the ghost.” Her heart beat a little at the experiment she was making.

Her husband, laying his letters aside, moved away into the shadow of the hearth.

“I never tried,” he said, tearing open the wrapper of a newspaper.

“Well, of course,” Mary persisted, “the exasperating thing is that there’s no use trying, since one can’t be sure till so long afterward.”

He was unfolding the paper as if he had hardly heard her; but after a pause, during which the sheets rustled spasmodically between his hands, he lifted his head to say abruptly, “Have you any idea how long?”

Mary had sunk into a low chair beside the fireplace. From her seat she looked up, startled, at her husband’s profile, which was darkly projected against the circle of lamplight.

“No; none. Have YOU?” she retorted, repeating her former phrase with an added keenness of intention.

Boyne crumpled the paper into a bunch, and then inconsequently turned back with it toward the lamp.

“Lord, no! I only meant,” he explained, with a faint tinge of impatience, “is there any legend, any tradition, as to that?”

“Not that I know of,” she answered; but the impulse to add, “What makes you ask?” was checked by the reappearance of the parlormaid with tea and a second lamp.

With the dispersal of shadows, and the repetition of the daily domestic office, Mary Boyne felt herself less oppressed by that sense of something mutely imminent which had darkened her solitary afternoon. For a few moments she gave herself silently to the details of her task, and when she looked up from it she was struck to the point of bewilderment by the change in her husband’s face. He had seated himself near the farther lamp, and was absorbed in the perusal of his letters; but was it something he had found in them, or merely the shifting of her own point of view, that had restored his features to their normal aspect? The longer she looked, the more definitely the change affirmed itself. The lines of painful tension had vanished, and such traces of fatigue as lingered were of the kind easily attributable to steady mental effort. He glanced up, as if drawn by her gaze, and met her eyes with a smile.

“I’m dying for my tea, you know; and here’s a letter for you,” he said.

She took the letter he held out in exchange for the cup she proffered him, and, returning to her seat, broke the seal with the languid gesture of the reader whose interests are all inclosed in the circle of one cherished presence.

Her next conscious motion was that of starting to her feet, the letter falling to them as she rose, while she held out to her husband a long newspaper clipping.

“Ned! What’s this? What does it mean?”

He had risen at the same instant, almost as if hearing her cry before she uttered it; and for a perceptible space of time he and she studied each other, like adversaries watching for an advantage, across the space between her chair and his desk.

“What’s what? You fairly made me jump!” Boyne said at length, moving toward her with a sudden, half-exasperated laugh. The shadow of apprehension was on his face again, not now a look of fixed foreboding, but a shifting vigilance of lips and eyes that gave her the sense of his feeling himself invisibly surrounded.

Her hand shook so that she could hardly give him the clipping.

“This article — from the ‘Waukesha Sentinel’ — that a man named Elwell has brought suit against you — that there was something wrong about the Blue Star Mine. I can’t understand more than half.”

They continued to face each other as she spoke, and to her astonishment, she saw that her words had the almost immediate effect of dissipating the strained watchfulness of his look.

“Oh, that!” He glanced down the printed slip, and then folded it with the gesture of one who handles something harmless and familiar. “What’s the matter with you this afternoon, Mary? I thought you’d got bad news.”

She stood before him with her undefinable terror subsiding slowly under the reassuring touch of his composure.

“You knew about this, then — it’s all right?”

“Certainly I knew about it; and it’s all right.”

“But what is it? I don’t understand. What does this man accuse you of?”

“Oh, pretty nearly every crime in the calendar.” Boyne had tossed the clipping down, and thrown himself comfortably into an arm-chair near the fire. “Do you want to hear the story? It’s not particularly interesting — just a squabble over interests in the Blue Star.”

“But who is this Elwell? I don’t know the name.”

“Oh, he’s a fellow I put into it — gave him a hand up. I told you all about him at the time.”

“I daresay. I must have forgotten.” Vainly she strained back among her memories. “But if you helped him, why does he make this return?”

“Oh, probably some shyster lawyer got hold of him and talked him over. It’s all rather technical and complicated. I thought that kind of thing bored you.”

His wife felt a sting of compunction. Theoretically, she deprecated the American wife’s detachment from her husband’s professional interests, but in practice she had always found it difficult to fix her attention on Boyne’s report of the transactions in which his varied interests involved him. Besides, she had felt from the first that, in a community where the amenities of living could be obtained only at the cost of efforts as arduous as her husband’s professional labors, such brief leisure as they could command should be used as an escape from immediate preoccupations, a flight to the life they always dreamed of living. Once or twice, now that this new life had actually drawn its magic circle about them, she had asked herself if she had done right; but hitherto such conjectures had been no more than the retrospective excursions of an active fancy. Now, for the first time, it startled her a little to find how little she knew of the material foundation on which her happiness was built.

She glanced again at her husband, and was reassured by the composure of his face; yet she felt the need of more definite grounds for her reassurance.

“But doesn’t this suit worry you? Why have you never spoken to me about it?”

He answered both questions at once: “I didn’t speak of it at first because it did worry me — annoyed me, rather. But it’s all ancient history now. Your correspondent must have got hold of a back number of the ‘Sentinel.'”

She felt a quick thrill of relief. “You mean it’s over? He’s lost his case?”

There was a just perceptible delay in Boyne’s reply. “The suit’s been withdrawn — that’s all.”

But she persisted, as if to exonerate herself from the inward charge of being too easily put off. “Withdrawn because he saw he had no chance?”

“Oh, he had no chance,” Boyne answered.

She was still struggling with a dimly felt perplexity at the back of her thoughts.

“How long ago was it withdrawn?”

He paused, as if with a slight return of his former uncertainty. “I’ve just had the news now; but I’ve been expecting it.”

“Just now — in one of your letters?”

“Yes; in one of my letters.”

She made no answer, and was aware only, after a short interval of waiting, that he had risen, and strolling across the room, had placed himself on the sofa at her side. She felt him, as he did so, pass an arm about her, she felt his hand seek hers and clasp it, and turning slowly, drawn by the warmth of his cheek, she met the smiling clearness of his eyes.

“It’s all right — it’s all right?” she questioned, through the flood of her dissolving doubts; and “I give you my word it never was righter!” he laughed back at her, holding her close.

III

One of the strangest things she was afterward to recall out of all the next day’s incredible strangeness was the sudden and complete recovery of her sense of security.

It was in the air when she woke in her low-ceilinged, dusky room; it accompanied her down-stairs to the breakfast-table, flashed out at her from the fire, and re-duplicated itself brightly from the flanks of the urn and the sturdy flutings of the Georgian teapot. It was as if, in some roundabout way, all her diffused apprehensions of the previous day, with their moment of sharp concentration about the newspaper article, — as if this dim questioning of the future, and startled return upon the past,-had between them liquidated the arrears of some haunting moral obligation. If she had indeed been careless of her husband’s affairs, it was, her new state seemed to prove, because her faith in him instinctively justified such carelessness; and his right to her faith had overwhelmingly affirmed itself in the very face of menace and suspicion. She had never seen him more untroubled, more naturally and unconsciously in possession of himself, than after the cross-examination to which she had subjected him: it was almost as if he had been aware of her lurking doubts, and had wanted the air cleared as much as she did.

It was as clear, thank Heaven! as the bright outer light that surprised her almost with a touch of summer when she issued from the house for her daily round of the gardens. She had left Boyne at his desk, indulging herself, as she passed the library door, by a last peep at his quiet face, where he bent, pipe in his mouth, above his papers, and now she had her own morning’s task to perform. The task involved on such charmed winter days almost as much delighted loitering about the different quarters of her demesne as if spring were already at work on shrubs and borders. There were such inexhaustible possibilities still before her, such opportunities to bring out the latent graces of the old place, without a single irreverent touch of alteration, that the winter months were all too short to plan what spring and autumn executed. And her recovered sense of safety gave, on this particular morning, a peculiar zest to her progress through the sweet, still place. She went first to the kitchen-garden, where the espaliered pear-trees drew complicated patterns on the walls, and pigeons were fluttering and preening about the silvery-slated roof of their cot. There was something wrong about the piping of the hothouse, and she was expecting an authority from Dorchester, who was to drive out between trains and make a diagnosis of the boiler. But when she dipped into the damp heat of the greenhouses, among the spiced scents and waxy pinks and reds of old-fashioned exotics, — even the flora of Lyng was in the note!-she learned that the great man had not arrived, and the day being too rare to waste in an artificial atmosphere, she came out again and paced slowly along the springy turf of the bowling-green to the gardens behind the house. At their farther end rose a grass terrace, commanding, over the fish-pond and the yew hedges, a view of the long house-front, with its twisted chimney-stacks and the blue shadows of its roof angles, all drenched in the pale gold moisture of the air.

Seen thus, across the level tracery of the yews, under the suffused, mild light, it sent her, from its open windows and hospitably smoking chimneys, the look of some warm human presence, of a mind slowly ripened on a sunny wall of experience. She had never before had so deep a sense of her intimacy with it, such a conviction that its secrets were all beneficent, kept, as they said to children, “for one’s good,” so complete a trust in its power to gather up her life and Ned’s into the harmonious pattern of the long, long story it sat there weaving in the sun.

She heard steps behind her, and turned, expecting to see the gardener, accompanied by the engineer from Dorchester. But only one figure was in sight, that of a youngish, slightly built man, who, for reasons she could not on the spot have specified, did not remotely resemble her preconceived notion of an authority on hot-house boilers. The new-comer, on seeing her, lifted his hat, and paused with the air of a gentleman — perhaps a traveler-desirous of having it immediately known that his intrusion is involuntary. The local fame of Lyng occasionally attracted the more intelligent sight-seer, and Mary half-expected to see the stranger dissemble a camera, or justify his presence by producing it. But he made no gesture of any sort, and after a moment she asked, in a tone responding to the courteous deprecation of his attitude: “Is there any one you wish to see?”

“I came to see Mr. Boyne,” he replied. His intonation, rather than his accent, was faintly American, and Mary, at the familiar note, looked at him more closely. The brim of his soft felt hat cast a shade on his face, which, thus obscured, wore to her short-sighted gaze a look of seriousness, as of a person arriving “on business,” and civilly but firmly aware of his rights.

Past experience had made Mary equally sensible to such claims; but she was jealous of her husband’s morning hours, and doubtful of his having given any one the right to intrude on them.

“Have you an appointment with Mr. Boyne?” she asked.

He hesitated, as if unprepared for the question.

“Not exactly an appointment,” he replied.

“Then I’m afraid, this being his working-time, that he can’t receive you now. Will you give me a message, or come back later?”

The visitor, again lifting his hat, briefly replied that he would come back later, and walked away, as if to regain the front of the house. As his figure receded down the walk between the yew hedges, Mary saw him pause and look up an instant at the peaceful house-front bathed in faint winter sunshine; and it struck her, with a tardy touch of compunction, that it would have been more humane to ask if he had come from a distance, and to offer, in that case, to inquire if her husband could receive him. But as the thought occurred to her he passed out of sight behind a pyramidal yew, and at the same moment her attention was distracted by the approach of the gardener, attended by the bearded pepper-and-salt figure of the boiler-maker from Dorchester.

The encounter with this authority led to such far-reaching issues that they resulted in his finding it expedient to ignore his train, and beguiled Mary into spending the remainder of the morning in absorbed confabulation among the greenhouses. She was startled to find, when the colloquy ended, that it was nearly luncheon-time, and she half expected, as she hurried back to the house, to see her husband coming out to meet her. But she found no one in the court but an under-gardener raking the gravel, and the hall, when she entered it, was so silent that she guessed Boyne to be still at work behind the closed door of the library.

Not wishing to disturb him, she turned into the drawing-room, and there, at her writing-table, lost herself in renewed calculations of the outlay to which the morning’s conference had committed her. The knowledge that she could permit herself such follies had not yet lost its novelty; and somehow, in contrast to the vague apprehensions of the previous days, it now seemed an element of her recovered security, of the sense that, as Ned had said, things in general had never been “righter.”

She was still luxuriating in a lavish play of figures when the parlor-maid, from the threshold, roused her with a dubiously worded inquiry as to the expediency of serving luncheon. It was one of their jokes that Trimmle announced luncheon as if she were divulging a state secret, and Mary, intent upon her papers, merely murmured an absent-minded assent.

She felt Trimmle wavering expressively on the threshold as if in rebuke of such offhand acquiescence; then her retreating steps sounded down the passage, and Mary, pushing away her papers, crossed the hall, and went to the library door. It was still closed, and she wavered in her turn, disliking to disturb her husband, yet anxious that he should not exceed his normal measure of work. As she stood there, balancing her impulses, the esoteric Trimmle returned with the announcement of luncheon, and Mary, thus impelled, opened the door and went into the library.

Boyne was not at his desk, and she peered about her, expecting to discover him at the book-shelves, somewhere down the length of the room; but her call brought no response, and gradually it became clear to her that he was not in the library.

She turned back to the parlor-maid.

“Mr. Boyne must be up-stairs. Please tell him that luncheon is ready.”

The parlor-maid appeared to hesitate between the obvious duty of obeying orders and an equally obvious conviction of the foolishness of the injunction laid upon her. The struggle resulted in her saying doubtfully, “If you please, Madam, Mr. Boyne’s not up-stairs.”

“Not in his room? Are you sure?”

“I’m sure, Madam.”

Mary consulted the clock. “Where is he, then?”

“He’s gone out,” Trimmle announced, with the superior air of one who has respectfully waited for the question that a well-ordered mind would have first propounded.

Mary’s previous conjecture had been right, then. Boyne must have gone to the gardens to meet her, and since she had missed him, it was clear that he had taken the shorter way by the south door, instead of going round to the court. She crossed the hall to the glass portal opening directly on the yew garden, but the parlormaid, after another moment of inner conflict, decided to bring out recklessly, “Please, Madam, Mr. Boyne didn’t go that way.”

Mary turned back. “Where did he go? And when?”

“He went out of the front door, up the drive, Madam.” It was a matter of principle with Trimmle never to answer more than one question at a time.

“Up the drive? At this hour?” Mary went to the door herself, and glanced across the court through the long tunnel of bare limes. But its perspective was as empty as when she had scanned it on entering the house.

“Did Mr. Boyne leave no message?” she asked.

Trimmle seemed to surrender herself to a last struggle with the forces of chaos.

“No, Madam. He just went out with the gentleman.”

“The gentleman? What gentleman?” Mary wheeled about, as if to front this new factor.

“The gentleman who called, Madam,” said Trimmle, resignedly.

“When did a gentleman call? Do explain yourself, Trimmle!”

Only the fact that Mary was very hungry, and that she wanted to consult her husband about the greenhouses, would have caused her to lay so unusual an injunction on her attendant; and even now she was detached enough to note in Trimmle’s eye the dawning defiance of the respectful subordinate who has been pressed too hard.

“I couldn’t exactly say the hour, Madam, because I didn’t let the gentleman in,” she replied, with the air of magnanimously ignoring the irregularity of her mistress’s course.

“You didn’t let him in?”

“No, Madam. When the bell rang I was dressing, and Agnes –”

“Go and ask Agnes, then,” Mary interjected. Trimmle still wore her look of patient magnanimity. “Agnes would not know, Madam, for she had unfortunately burnt her hand in trying the wick of the new lamp from town –” Trimmle, as Mary was aware, had always been opposed to the new lamp –“and so Mrs. Dockett sent the kitchen-maid instead.”

Mary looked again at the clock. “It’s after two! Go and ask the kitchen-maid if Mr. Boyne left any word.”

She went into luncheon without waiting, and Trimmle presently brought her there the kitchen-maid’s statement that the gentleman had called about one o’clock, that Mr. Boyne had gone out with him without leaving any message. The kitchen-maid did not even know the caller’s name, for he had written it on a slip of paper, which he had folded and handed to her, with the injunction to deliver it at once to Mr. Boyne.

Mary finished her luncheon, still wondering, and when it was over, and Trimmle had brought the coffee to the drawing-room, her wonder had deepened to a first faint tinge of disquietude. It was unlike Boyne to absent himself without explanation at so unwonted an hour, and the difficulty of identifying the visitor whose summons he had apparently obeyed made his disappearance the more unaccountable. Mary Boyne’s experience as the wife of a busy engineer, subject to sudden calls and compelled to keep irregular hours, had trained her to the philosophic acceptance of surprises; but since Boyne’s withdrawal from business he had adopted a Benedictine regularity of life. As if to make up for the dispersed and agitated years, with their “stand-up” lunches and dinners rattled down to the joltings of the dining-car, he cultivated the last refinements of punctuality and monotony, discouraging his wife’s fancy for the unexpected; and declaring that to a delicate taste there were infinite gradations of pleasure in the fixed recurrences of habit.

Still, since no life can completely defend itself from the unforeseen, it was evident that all Boyne’s precautions would sooner or later prove unavailable, and Mary concluded that he had cut short a tiresome visit by walking with his caller to the station, or at least accompanying him for part of the way.

This conclusion relieved her from farther preoccupation, and she went out herself to take up her conference with the gardener. Thence she walked to the village post-office, a mile or so away; and when she turned toward home, the early twilight was setting in.

She had taken a foot-path across the downs, and as Boyne, meanwhile, had probably returned from the station by the highroad, there was little likelihood of their meeting on the way. She felt sure, however, of his having reached the house before her; so sure that, when she entered it herself, without even pausing to inquire of Trimmle, she made directly for the library. But the library was still empty, and with an unwonted precision of visual memory she immediately observed that the papers on her husband’s desk lay precisely as they had lain when she had gone in to call him to luncheon.

Then of a sudden she was seized by a vague dread of the unknown. She had closed the door behind her on entering, and as she stood alone in the long, silent, shadowy room, her dread seemed to take shape and sound, to be there audibly breathing and lurking among the shadows. Her short-sighted eyes strained through them, halfdiscerning an actual presence, something aloof, that watched and knew; and in the recoil from that intangible propinquity she threw herself suddenly on the bell-rope and gave it a desperate pull.

The long, quavering summons brought Trimmle in precipitately with a lamp, and Mary breathed again at this sobering reappearance of the usual.

“You may bring tea if Mr. Boyne is in,” she said, to justify her ring.

“Very well, Madam. But Mr. Boyne is not in,” said Trimmle, putting down the lamp.

“Not in? You mean he’s come back and gone out again?”

“No, Madam. He’s never been back.”

The dread stirred again, and Mary knew that now it had her fast.

“Not since he went out with — the gentleman?”

“Not since he went out with the gentleman.”

“But who was the gentleman?” Mary gasped out, with the sharp note of some one trying to be heard through a confusion of meaningless noises.

“That I couldn’t say, Madam.” Trimmle, standing there by the lamp, seemed suddenly to grow less round and rosy, as though eclipsed by the same creeping shade of apprehension.

“But the kitchen-maid knows — wasn’t it the kitchen-maid who let him in?”

“She doesn’t know either, Madam, for he wrote his name on a folded paper.”

Mary, through her agitation, was aware that they were both designating the unknown visitor by a vague pronoun, instead of the conventional formula which, till then, had kept their allusions within the bounds of custom. And at the same moment her mind caught at the suggestion of the folded paper.

“But he must have a name! Where is the paper?”

She moved to the desk, and began to turn over the scattered documents that littered it. The first that caught her eye was an unfinished letter in her husband’s hand, with his pen lying across it, as though dropped there at a sudden summons.

“My dear Parvis,” — who was Parvis? –“I have just received your letter announcing Elwell’s death, and while I suppose there is now no farther risk of trouble, it might be safer –”

She tossed the sheet aside, and continued her search; but no folded paper was discoverable among the letters and pages of manuscript which had been swept together in a promiscuous heap, as if by a hurried or a startled gesture.

“But the kitchen-maid saw him. Send her here,” she commanded, wondering at her dullness in not thinking sooner of so simple a solution.

Trimmle, at the behest, vanished in a flash, as if thankful to be out of the room, and when she reappeared, conducting the agitated underling, Mary had regained her self-possession, and had her questions pat.

The gentleman was a stranger, yes — that she understood. But what had he said? And, above all, what had he looked like? The first question was easily enough answered, for the disconcerting reason that he had said so little — had merely asked for Mr. Boyne, and, scribbling something on a bit of paper, had requested that it should at once be carried in to him.

“Then you don’t know what he wrote? You’re not sure it was his name?”

The kitchen-maid was not sure, but supposed it was, since he had written it in answer to her inquiry as to whom she should announce.

“And when you carried the paper in to Mr. Boyne, what did he say?”

The kitchen-maid did not think that Mr. Boyne had said anything, but she could not be sure, for just as she had handed him the paper and he was opening it, she had become aware that the visitor had followed her into the library, and she had slipped out, leaving the two gentlemen together.

“But then, if you left them in the library, how do you know that they went out of the house?”

This question plunged the witness into momentary inarticulateness, from which she was rescued by Trimmle, who, by means of ingenious circumlocutions, elicited the statement that before she could cross the hall to the back passage she had heard the gentlemen behind her, and had seen them go out of the front door together.

“Then, if you saw the gentleman twice, you must be able to tell me what he looked like.”

But with this final challenge to her powers of expression it became clear that the limit of the kitchen-maid’s endurance had been reached. The obligation of going to the front door to “show in” a visitor was in itself so subversive of the fundamental order of things that it had thrown her faculties into hopeless disarray, and she could only stammer out, after various panting efforts at evocation, “His hat, mum, was different-like, as you might say –”

“Different? How different?” Mary flashed out at her, her own mind, in the same instant, leaping back to an image left on it that morning, but temporarily lost under layers of subsequent impressions.

“His hat had a wide brim, you mean? and his face was pale — a youngish face?” Mary pressed her, with a white-lipped intensity of interrogation. But if the kitchen-maid found any adequate answer to this challenge, it was swept away for her listener down the rushing current of her own convictions. The stranger — the stranger in the garden! Why had Mary not thought of him before? She needed no one now to tell her that it was he who had called for her husband and gone away with him. But who was he, and why had Boyne obeyed his call?

IV

It leaped out at her suddenly, like a grin out of the dark, that they had often called England so little –“such a confoundedly hard place to get lost in.”

A confoundedly hard place to get lost in! That had been her husband’s phrase. And now, with the whole machinery of official investigation sweeping its flash-lights from shore to shore, and across the dividing straits; now, with Boyne’s name blazing from the walls of every town and village, his portrait (how that wrung her!) hawked up and down the country like the image of a hunted criminal; now the little compact, populous island, so policed, surveyed, and administered, revealed itself as a Sphinx-like guardian of abysmal mysteries, staring back into his wife’s anguished eyes as if with the malicious joy of knowing something they would never know!

In the fortnight since Boyne’s disappearance there had been no word of him, no trace of his movements. Even the usual misleading reports that raise expectancy in tortured bosoms had been few and fleeting. No one but the bewildered kitchen-maid had seen him leave the house, and no one else had seen “the gentleman” who accompanied him. All inquiries in the neighborhood failed to elicit the memory of a stranger’s presence that day in the neighborhood of Lyng. And no one had met Edward Boyne, either alone or in company, in any of the neighboring villages, or on the road across the downs, or at either of the local railway-stations. The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.

Mary, while every external means of investigation was working at its highest pressure, had ransacked her husband’s papers for any trace of antecedent complications, of entanglements or obligations unknown to her, that might throw a faint ray into the darkness. But if any such had existed in the background of Boyne’s life, they had disappeared as completely as the slip of paper on which the visitor had written his name. There remained no possible thread of guidance except — if it were indeed an exception — the letter which Boyne had apparently been in the act of writing when he received his mysterious summons. That letter, read and reread by his wife, and submitted by her to the police, yielded little enough for conjecture to feed on.

“I have just heard of Elwell’s death, and while I suppose there is now no farther risk of trouble, it might be safer –” That was all. The “risk of trouble” was easily explained by the newspaper clipping which had apprised Mary of the suit brought against her husband by one of his associates in the Blue Star enterprise. The only new information conveyed in the letter was the fact of its showing Boyne, when he wrote it, to be still apprehensive of the results of the suit, though he had assured his wife that it had been withdrawn, and though the letter itself declared that the plaintiff was dead. It took several weeks of exhaustive cabling to fix the identity of the “Parvis” to whom the fragmentary communication was addressed, but even after these inquiries had shown him to be a Waukesha lawyer, no new facts concerning the Elwell suit were elicited. He appeared to have had no direct concern in it, but to have been conversant with the facts merely as an acquaintance, and possible intermediary; and he declared himself unable to divine with what object Boyne intended to seek his assistance.

This negative information, sole fruit of the first fortnight’s feverish search, was not increased by a jot during the slow weeks that followed. Mary knew that the investigations were still being carried on, but she had a vague sense of their gradually slackening, as the actual march of time seemed to slacken. It was as though the days, flying horror-struck from the shrouded image of the one inscrutable day, gained assurance as the distance lengthened, till at last they fell back into their normal gait. And so with the human imaginations at work on the dark event. No doubt it occupied them still, but week by week and hour by hour it grew less absorbing, took up less space, was slowly but inevitably crowded out of the foreground of consciousness by the new problems perpetually bubbling up from the vaporous caldron of human experience.

Even Mary Boyne’s consciousness gradually felt the same lowering of velocity. It still swayed with the incessant oscillations of conjecture; but they were slower, more rhythmical in their beat. There were moments of overwhelming lassitude when, like the victim of some poison which leaves the brain clear, but holds the body motionless, she saw herself domesticated with the Horror, accepting its perpetual presence as one of the fixed conditions of life.

These moments lengthened into hours and days, till she passed into a phase of stolid acquiescence. She watched the familiar routine of life with the incurious eye of a savage on whom the meaningless processes of civilization make but the faintest impression. She had come to regard herself as part of the routine, a spoke of the wheel, revolving with its motion; she felt almost like the furniture of the room in which she sat, an insensate object to be dusted and pushed about with the chairs and tables. And this deepening apathy held her fast at Lyng, in spite of the urgent entreaties of friends and the usual medical recommendation of “change.” Her friends supposed that her refusal to move was inspired by the belief that her husband would one day return to the spot from which he had vanished, and a beautiful legend grew up about this imaginary state of waiting. But in reality she had no such belief: the depths of anguish inclosing her were no longer lighted by flashes of hope. She was sure that Boyne would never come back, that he had gone out of her sight as completely as if Death itself had waited that day on the threshold. She had even renounced, one by one, the various theories as to his disappearance which had been advanced by the press, the police, and her own agonized imagination. In sheer lassitude her mind turned from these alternatives of horror, and sank back into the blank fact that he was gone.

No, she would never know what had become of him — no one would ever know. But the house knew; the library in which she spent her long, lonely evenings knew. For it was here that the last scene had been enacted, here that the stranger had come, and spoken the word which had caused Boyne to rise and follow him. The floor she trod had felt his tread; the books on the shelves had seen his face; and there were moments when the intense consciousness of the old, dusky walls seemed about to break out into some audible revelation of their secret. But the revelation never came, and she knew it would never come. Lyng was not one of the garrulous old houses that betray the secrets intrusted to them. Its very legend proved that it had always been the mute accomplice, the incorruptible custodian of the mysteries it had surprised. And Mary Boyne, sitting face to face with its portentous silence, felt the futility of seeking to break it by any human means.

V

“I don’t say it wasn’t straight, yet don’t say it was straight. It was business.”

Mary, at the words, lifted her head with a start, and looked intently at the speaker.

When, half an hour before, a card with “Mr. Parvis” on it had been brought up to her, she had been immediately aware that the name had been a part of her consciousness ever since she had read it at the head of Boyne’s unfinished letter. In the library she had found awaiting her a small neutral-tinted man with a bald head and gold eye-glasses, and it sent a strange tremor through her to know that this was the person to whom her husband’s last known thought had been directed.

Parvis, civilly, but without vain preamble, — in the manner of a man who has his watch in his hand, — had set forth the object of his visit. He had “run over” to England on business, and finding himself in the neighborhood of Dorchester, had not wished to leave it without paying his respects to Mrs. Boyne; without asking her, if the occasion offered, what she meant to do about Bob Elwell’s family.

The words touched the spring of some obscure dread in Mary’s bosom. Did her visitor, after all, know what Boyne had meant by his unfinished phrase? She asked for an elucidation of his question, and noticed at once that he seemed surprised at her continued ignorance of the subject. Was it possible that she really knew as little as she said?

“I know nothing — you must tell me,” she faltered out; and her visitor thereupon proceeded to unfold his story. It threw, even to her confused perceptions, and imperfectly initiated vision, a lurid glare on the whole hazy episode of the Blue Star Mine. Her husband had made his money in that brilliant speculation at the cost of “getting ahead” of some one less alert to seize the chance; the victim of his ingenuity was young Robert Elwell, who had “put him on” to the Blue Star scheme.

Parvis, at Mary’s first startled cry, had thrown her a sobering glance through his impartial glasses.

“Bob Elwell wasn’t smart enough, that’s all; if he had been, he might have turned round and served Boyne the same way. It’s the kind of thing that happens every day in business. I guess it’s what the scientists call the survival of the fittest,” said Mr. Parvis, evidently pleased with the aptness of his analogy.

Mary felt a physical shrinking from the next question she tried to frame; it was as though the words on her lips had a taste that nauseated her.

“But then — you accuse my husband of doing something dishonorable?”

Mr. Parvis surveyed the question dispassionately. “Oh, no, I don’t. I don’t even say it wasn’t straight.” He glanced up and down the long lines of books, as if one of them might have supplied him with the definition he sought. “I don’t say it wasn’t straight, and yet I don’t say it was straight. It was business.” After all, no definition in his category could be more comprehensive than that.

Mary sat staring at him with a look of terror. He seemed to her like the indifferent, implacable emissary of some dark, formless power.

“But Mr. Elwell’s lawyers apparently did not take your view, since I suppose the suit was withdrawn by their advice.”

“Oh, yes, they knew he hadn’t a leg to stand on, technically. It was when they advised him to withdraw the suit that he got desperate. You see, he’d borrowed most of the money he lost in the Blue Star, and he was up a tree. That’s why he shot himself when they told him he had no show.”

The horror was sweeping over Mary in great, deafening waves.

“He shot himself? He killed himself because of that? ”

“Well, he didn’t kill himself, exactly. He dragged on two months before he died.” Parvis emitted the statement as unemotionally as a gramophone grinding out its “record.”

“You mean that he tried to kill himself, and failed? And tried again?”

“Oh, he didn’t have to try again,” said Parvis, grimly.

They sat opposite each other in silence, he swinging his eyeglass thoughtfully about his finger, she, motionless, her arms stretched along her knees in an attitude of rigid tension.

“But if you knew all this,” she began at length, hardly able to force her voice above a whisper, “how is it that when I wrote you at the time of my husband’s disappearance you said you didn’t understand his letter?”

Parvis received this without perceptible discomfiture. “Why, I didn’t understand it — strictly speaking. And it wasn’t the time to talk about it, if I had. The Elwell business was settled when the suit was withdrawn. Nothing I could have told you would have helped you to find your husband.”

Mary continued to scrutinize him. “Then why are you telling me now?”

Still Parvis did not hesitate. “Well, to begin with, I supposed you knew more than you appear to — I mean about the circumstances of Elwell’s death. And then people are talking of it now; the whole matter’s been raked up again. And I thought, if you didn’t know, you ought to.”

She remained silent, and he continued: “You see, it’s only come out lately what a bad state Elwell’s affairs were in. His wife’s a proud woman, and she fought on as long as she could, going out to work, and taking sewing at home, when she got too sick-something with the heart, I believe. But she had his bedridden mother to look after, and the children, and she broke down under it, and finally had to ask for help. That attracted attention to the case, and the papers took it up, and a subscription was started. Everybody out there liked Bob Elwell, and most of the prominent names in the place are down on the list, and people began to wonder why –”

Parvis broke off to fumble in an inner pocket. “Here,” he continued, “here’s an account of the whole thing from the ‘Sentinel’ — a little sensational, of course. But I guess you’d better look it over.”

He held out a newspaper to Mary, who unfolded it slowly, remembering, as she did so, the evening when, in that same room, the perusal of a clipping from the “Sentinel” had first shaken the depths of her security.

As she opened the paper, her eyes, shrinking from the glaring head-lines, “Widow of Boyne’s Victim Forced to Appeal for Aid,” ran down the column of text to two portraits inserted in it. The first was her husband’s, taken from a photograph made the year they had come to England. It was the picture of him that she liked best, the one that stood on the writing-table up-stairs in her bedroom. As the eyes in the photograph met hers, she felt it would be impossible to read what was said of him, and closed her lids with the sharpness of the pain.

“I thought if you felt disposed to put your name down –” she heard Parvis continue.

She opened her eyes with an effort, and they fell on the other portrait. It was that of a youngish man, slightly built, in rough clothes, with features somewhat blurred by the shadow of a projecting hat-brim. Where had she seen that outline before? She stared at it confusedly, her heart hammering in her throat and ears. Then she gave a cry.

“This is the man — the man who came for my husband!”

She heard Parvis start to his feet, and was dimly aware that she had slipped backward into the corner of the sofa, and that he was bending above her in alarm. With an intense effort she straightened herself, and reached out for the paper, which she had dropped.

“It’s the man! I should know him anywhere!” she cried in a voice that sounded in her own ears like a scream.

Parvis’s voice seemed to come to her from far off, down endless, fog-muffled windings.

“Mrs. Boyne, you’re not very well. Shall I call somebody? Shall I get a glass of water?”

“No, no, no!” She threw herself toward him, her hand frantically clenching the newspaper. “I tell you, it’s the man! I know him! He spoke to me in the garden!”

Parvis took the journal from her, directing his glasses to the portrait. “It can’t be, Mrs. Boyne. It’s Robert Elwell.”

“Robert Elwell?” Her white stare seemed to travel into space. “Then it was Robert Elwell who came for him.”

“Came for Boyne? The day he went away?” Parvis’s voice dropped as hers rose. He bent over, laying a fraternal hand on her, as if to coax her gently back into her seat. “Why, Elwell was dead! Don’t you remember?”

Mary sat with her eyes fixed on the picture, unconscious of what he was saying.

“Don’t you remember Boyne’s unfinished letter to me — the one you found on his desk that day? It was written just after he’d heard of Elwell’s death.” She noticed an odd shake in Parvis’s unemotional voice. “Surely you remember that!” he urged her.

Yes, she remembered: that was the profoundest horror of it. Elwell had died the day before her husband’s disappearance; and this was Elwell’s portrait; and it was the portrait of the man who had spoken to her in the garden. She lifted her head and looked slowly about the library. The library could have borne witness that it was also the portrait of the man who had come in that day to call Boyne from his unfinished letter. Through the misty surgings of her brain she heard the faint boom of halfforgotten words — words spoken by Alida Stair on the lawn at Pangbourne before Boyne and his wife had ever seen the house at Lyng, or had imagined that they might one day live there.

“This was the man who spoke to me,” she repeated.

She looked again at Parvis. He was trying to conceal his disturbance under what he imagined to be an expression of indulgent commiseration; but the edges of his lips were blue. “He thinks me mad; but I’m not mad,” she reflected; and suddenly there flashed upon her a way of justifying her strange affirmation.

She sat quiet, controlling the quiver of her lips, and waiting till she could trust her voice to keep its habitual level; then she said, looking straight at Parvis: “Will you answer me one question, please? When was it that Robert Elwell tried to kill himself?”

“When — when?” Parvis stammered.

“Yes; the date. Please try to remember.”

She saw that he was growing still more afraid of her. “I have a reason,” she insisted gently.

“Yes, yes. Only I can’t remember. About two months before, I should say.”

“I want the date,” she repeated.

Parvis picked up the newspaper. “We might see here,” he said, still humoring her. He ran his eyes down the page. “Here it is. Last October — the –”

She caught the words from him. “The 20th, wasn’t it?” With a sharp look at her, he verified. “Yes, the 20th. Then you did know?”

“I know now.” Her white stare continued to travel past him. “Sunday, the 20th — that was the day he came first.”

Parvis’s voice was almost inaudible. “Came here first?”

“Yes.”

“You saw him twice, then?”

“Yes, twice.” She breathed it at him with dilated eyes. “He came first on the 20th of October. I remember the date because it was the day we went up Meldon Steep for the first time.” She felt a faint gasp of inward laughter at the thought that but for that she might have forgotten.

Parvis continued to scrutinize her, as if trying to intercept her gaze.

“We saw him from the roof,” she went on. “He came down the limeavenue toward the house. He was dressed just as he is in that picture. My husband saw him first. He was frightened, and ran down ahead of me; but there was no one there. He had vanished.”

“Elwell had vanished?” Parvis faltered.

“Yes.” Their two whispers seemed to grope for each other. “I couldn’t think what had happened. I see now. He tried to come then; but he wasn’t dead enough — he couldn’t reach us. He had to wait for two months; and then he came back again — and Ned went with him.”

She nodded at Parvis with the look of triumph of a child who has successfully worked out a difficult puzzle. But suddenly she lifted her hands with a desperate gesture, pressing them to her bursting temples.

“Oh, my God! I sent him to Ned — I told him where to go! I sent him to this room!” she screamed out.

She felt the walls of the room rush toward her, like inward falling ruins; and she heard Parvis, a long way off, as if through the ruins, crying to her, and struggling to get at her. But she was numb to his touch, she did not know what he was saying. Through the tumult she heard but one clear note, the voice of Alida Stair, speaking on the lawn at Pangbourne.

“You won’t know till afterward,” it said. “You won’t know till long, long afterward.”

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Scariest Books or Short Stories

We decided again to take a short detour from our regular posts of public domain scary stories to list some of our favorites.  These are the books and short stories we tend to re-read every Halloween season — or every time we want to scare ourselves silly.  The one common theme we found with each of these books (and yes, the one collection of short stories and poems) is that they let our imaginations run wild.  That is the mark of a great horror story in my opinion.  It puts the reader in a situation that touches some core of familiarity, whether that be the reader’s faith or love of animals or family or the fear of being alone.  From there, the prose tickles and teases our imagination until we feel we are a part of the book and the lights must stay on to keep the boogeyman at bay.

So, here are our ten favorite scary reads presented in no particular order.  What are yours?

1.  The Haunting of Hill House by Shirley Jackson (1959).

2.  I am Legend by Richard Matheson (1954).

3.  The Road to Madness by H. P. Lovecraft

4.  The Complete Stories and Poems by Edgar Allan Poe

5.  Dracula by Bram Stoker

6.  Frankenstein by Mary Shelley

7.  The Exorcist by William Peter Blatty

8.  It by Stephen King — personal note here, I always knew clowns were scary.  This book proved it!

9.  The Amityville Horror by Jay Anson

10.  Ghost Story by Peter Straub and The Shining by Stephen King

Okay, so we named 11 books.  It’s just so hard when there are so many great spooky books out there.  What are your favorites?

 

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